Date: 2012-04-11 05:45 am (UTC)
Crabtree I spotted right away, in the front row, slouched, in shirtsleeves, watching Walter with a very sleepy and complacent look on his face. If he were a cat he would have been licking the blood and feathers from his whiskers. He had dressed James for the assembly, I saw, in his own mushroom-colored sport jacket, worn over my old flannel shirt. James was sitting right there beside him, spine erect, hands folded politely in his lap, his earnest Adam’s apple working its way up and down as he drank in the urbane good counsel of his queer old dean—the standard Walter Gaskell homily, in that room full of agents and editors, to go forth and work hard at one’s craft, always without regard to such vulgar concerns as finding an agent or an editor.

When someone at the end of their row coughed, James turned, and happened to look up, and spotted me in my corner. I was startled: I’d felt almost safe, lurking there like John Wilkes Booth behind the dusty velour drape and the scrim of my own loneliness. James’s eyes got very wide, and he was about to turn and give Crabtree a poke in the ribs, but I put a finger to my lips and drew a pleat of dusty velour sideways across my face. Although he looked doubtful, he nodded, solemnly, and turned back to the stage. At the sight of James in Crabtree’s jacket I experienced a sharp pang of abandonment, out of all proportion to the unremarkable circumstance of male lovers sharing clothes. I felt suddenly bereft not only of Crabtree and his love but of my earliest bright image of myself, of my trajectory across the world. It’s not fashionable, I know, in this unromantic age, for a reasonably straight man to think of finding his destiny in the love of another man, but that was how I’d always thought of Crabtree. I guess you could say that in a strange sort of way I’d always believed that Crabtree was my man, and I was his. It was only proper, I supposed, for the first thing in my life that had ever felt right to be the last one to be proven wrong.

Wonder Boys, Michael Chabon.
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